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The Day After Tomorrow unten:
- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Ver�ffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- L�nder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- �bersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
- Schauspieler des Films :Tamlyn Tomita (Janet Tokada), John Maclaren (Veteran Scientist), Jake Gyllenhaal (Sam Hall), Richard Zeman (Flight Director), Dennis Quaid (Jack Hall), Emmy Rossum (Laura Chapman), Russell Yuen (Hideki, Nassim Sharara (Saudi Delegate), Kenneth Moskow (Bob), Christian Tessier (Aaron), Glenn Plummer (Luther), Christopher Britton (Vorsteen), Vitali Makarov (Yuri, Mimi Kuzyk (Secretary of State), Dash Mihok (Jason Evans), Sela Ward (Dr. Lucy Hall), Russian Astronaut), Japanese Astronaut), Michel 'Gish' Abou-Samah (Saudi Translator), Sasha Roiz (Parker), Ian Holm (Terry Rapson), Nestor Serrano (Gomez), Austin Nichols (J.D.), Adrian Lester (Simon), Kenneth Welsh (Vice President Becker), Carl Alacchi (Venezuelan Delegate), Arjay Smith (Brian Parks), Perry King (President Blake), Jay O. Sanders (Frank Harris)
0319262
The Day After Tomorrow steht zur Verfügung film hergestellt von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, , die eine haben Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Ohr Platzen Klangqualität und am besten mit Schauspielern.
Sie sind jetzt und wo Sie in der beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in Top-Qualität so dass wird wahrscheinlich freigegeben als Teil der Land. erhalten Sie Ihre Favoriten sofort movie, Verwendung der dr�cken einer Schalter! das schließt ein uneingeschr�nkt Anzahl der Bandbreite und Inhalte zu streamen, zu beobachten was du brauchst, wenn du willst!
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Production Accountant : Manon Lapointe, Set Designer : Hugo Santiago, Production Sound Mixer : Douglas J. Schulman, Set Designer : Caroline Alder, Systems Administrators & Support : Joe Ardent, Transportation Coordinator : Javier Gunther, Second Assistant Director : Erik Ajduk, Producer : Mark Gordon, Associate Producer : Kim H. Winther, Art Direction : Gerald Sullivan, Best Boy Electric : Edison Jackson, Set Designer : Steve Cooper, Co-Producer : Thomas M. Hammel, Visual Effects Supervisor : Karen E. Goulekas, Sound Recordist : Jon S. Trebilcock, Local Casting : Cate Praggastis, Transportation Coordinator : Daniel Matthews, Storyboard : Timothy Burgard, Makeup Artist : Sharon Ilson, ADR Editor : Kerry Dean Williams, Makeup Effects : George Tucci, Construction Coordinator : Rejean Brochu, Scenic Artist : Donald Beaulieu, Assistant Production Coordinator : Guylaine Boucher, Rigging Gaffer : Gilles Fortier, Visual Effects : Kristen Branan, Associate Producer : Lawrence Inglee, Grip : Joost Clerinx, 3D Artist : Zack Judson, Visual Effects Producer : Jody Echegaray, Visual Effects Producer : Todd Isroelit, Lighting Artist : David B. Menkes, First Assistant Editor : Robert Berman, Construction Coordinator : Bruce Di Valerio, Sound Designer : Randy Kelley, Camera Operator : Gary L. Camp, Helicopter Camera : Steve Hertler, Editor : David Brenner, Camera Operator : Georgia Packard, Casting : April Webster, Art Direction : Réal Proulx, Set Designer : Karl J. Martin, Visual Effects Art Director : Alexander Laurant, Set Designer : Alex Touikan, CG Supervisor : David Prescott, Executive Producer : Stephanie Germain, CG Supervisor : Andrew Waisler, Carpenter : Jane Kilkenny, Sound Recordist : Chris Walmer, Assistant Art Director : Camille Parent, Key Hair Stylist : Janis Clark, Casting Associate : Scott David, Art Direction : Tom Reta, Hairstylist : Sandy DeBlasio, Unit Production Manager : Joe Dishner, Camera Operator : Francois Archambault, Visual Effects Producer : Raoul Bolognini, Digital Producer : Andra Bard, Supervising Art Director : Claude Paré, Video Assist Operator : Julie Garceau, Set Dresser : Louis Dandonneau, Casting : Andrea Kenyon, ADR & Dubbing : Derek Casari, Line Producer : Tavin Marin Titus, Steadicam Operator : Gary L. Camp, Sound Mixer : David O. Daniel, Creature Technical Director : Vijay Myneni, Transportation Co-Captain : Spiro Tsovras, Camera Operator : Alfonso Maiorana, Visual Effects Producer : Casey Conroy, Makeup Effects : Sylvania Yau, Supervising Sound Editor : Larry Kemp, Assistant Property Master : Eric Bardin, Art Direction : Martin Gendron, Still Photographer : Kerry Hayes, Makeup Artist : Elisabeth Fry, Location Manager : Kenneth E. Fix, Stunt Coordinator : Branko Racki, Stunt Coordinator : Charlie Brewer, Roto Supervisor : Stephanie Taubert, Leadman : David M. Milstien, First Assistant Director : Kim H. Winther, Sound Designer : Harry Cohen, Set Designer : Stephanie Gilliam, Set Decoration Buyer : Stacy Weddington, Finance : Linda Strause, Second Unit Cinematographer : Tom Yatsko, Unit Manager : Paul Boutin, Unit Publicist : Joe Everett, First Assistant Camera : Michel Bernier, Executive Visual Effects Producer : Marc Sadeghi, Visual Effects Supervisor : Remo Balcells, Set Decoration : Victor J. Zolfo, Location Manager : Céline Daignault, Director : Roland Emmerich, Sound Effects Editor : Michael Kamper, Construction Foreman : Eric Lafrance, Driver : Chris Haynes, Dialogue Editor : James Matheny, Visual Effects Supervisor : Conny Fauser, Utility Stunts : Nick Brandon, Visual Effects : Diane Macke, Production Illustrator : Michael Meier, Author : Roland Emmerich, Director of Photography : Ueli Steiger, Color Timer : Michael Eaves, Hairstylist : Kathryn Powell, Craft Service : Chris Winn, Transportation Captain : John Bober, Set Designer : Vincent Gingras-Liberali, Boom Operator : Timothy P. Salmon, Still Photographer : Takashi Seida, Gaffer : Logan Leabo, Painter : Gloria Ciraolo, Rigging Gaffer : Frank Dorowsky, Propmaker : Patrice Jacques, Second Unit Cinematographer : Anna Foerster, Sound Engineer : John Bires, Set Designer : Frédéric Amblard, Hairstylist : Réjean Forget, Executive In Charge Of Production : Vanessa R. Jordan, Utility Sound : Schavaria Reeves, Sculptor : Andrew Semple, CG Supervisor : Dagan Potter, Costume Supervisor : Kenn Smiley, Construction Coordinator : Michel Brochu, Script Supervisor : Kim Berner, Visual Effects Producer : Michael Meagher, Lighting Technician : Stéphane Byl, Negative Cutter : Gary Burritt, Original Music Composer : Harald Kloser, Visual Effects Producer : Mike Chambers, Casting : Randi Wells, Visual Effects Supervisor : Chris Watts, Visual Effects Supervisor : Rocco Passionino, Construction Coordinator : Alain Brochu, Camera Operator : Bill O'Drobinak, Visual Effects Coordinator : Erica Headley, Makeup Effects : Adrien Morot, Rigging Grip : Richard Complaisance, Original Music Composer : Thomas Wanker, Set Medic : Jean Marchand, Sound Designer : Alan Rankin, First Assistant Sound Editor : Victor Ray Ennis, Costume Supervisor : Robert Q. Mathews, Stunts : Marcello Bezina, Set Costumer : Arlynn Abseck, Supervising Sound Editor : Mark P. Stoeckinger, Sculptor : Lucie Fournier, Camera Operator : Peter Hutchison, Orchestrator : Frank Bennett, Matchmove Supervisor : Alia Agha, Sound Recordist : Tim Gomillion, Camera Operator : Eric Goethals, Lighting Supervisor : Chris Wells, Software Engineer : Chamberlain Fong, Script Supervisor : Sophie Boyer, Visual Effects Producer : Petra Holtorf, Camera Technician : Steven J. Winslow, Visual Effects Supervisor : Richard Britton, Visual Effects Supervisor : Jerry Spivack, I/O Supervisor : Ryan Beadle, Modeling : Yoshiya Yamada, Visual Effects Supervisor : Ian Hunter, Costume Design : Renée April, Production Manager : Daniel Auclair, Sequence Leads : Jason Iversen, Property Master : Claire Alary, Producer : Roland Emmerich, First Assistant Editor : Quincy Z. Gunderson, 24 Frame Playback : Marie-Pierre Tétreault, Pilot : Al Cerullo, Set Production Assistant : Mariana Acuña Acosta, Digital Intermediate : Lorene Simpson, CG Supervisor : Sean Andrew Faden, Visual Effects Supervisor : Greg Strause, Key Costumer : Valerie T. O'Brien, Visual Effects Editor : Nicolas Anastassiou, Production Design : Barry Chusid, Visual Effects Editor : Michael Cavanaugh, Digital Effects Supervisor : Bryan Grill, Key Grip : Marc Andrus, Art Direction : Michele Laliberte, Art Department Assistant : Una Martin, Stand In : Martin Brisebois, Executive Producer : Kelly Van Horn, Third Assistant Director : Paul Drouin, Post Production Assistant : Jeff Schweikart, Musician : Maria Newman, Makeup Effects : C.J. Goldman, Costume Coordinator : Lyse Pomerleau, Music Editor : Emanuele Arnone, Foley : Glenn T. Morgan, Visual Effects Supervisor : Colin Strause, Art Department Coordinator : Nancy A. King, Digital Compositors : Sean Apple, Technical Supervisor : Irfan Celik, Visual Effects : Michael Leung, Camera Loader : Charlie Newberry, Property Master : Denis Hamel, Animation Supervisor : Danny Gordon Taylor, Executive Producer : Ute Emmerich, Special Effects Supervisor : Louis Craig, Dialogue Editor : Daniel S. Irwin, 3D Supervisor : Rina Strause, Conductor : Blake Neely, Sound Designer : Ann Scibelli, CG Supervisor : Hans Uhlig, Key Makeup Artist : Kathryn Casault, Production Coordinator : Danielle Boucher, Set Decoration : Paul Hotte, Pre-Visualization Supervisor : Daniel Fort, Author : Jeffrey Nachmanoff, Electrician : Paul Postal, Location Manager : Lily Flaschner, Visual Effects Supervisor : Greg Anderson, 3D Animator : Jeremy F. Butler, Steadicam Operator : Francois Archambault, Special Effects : Neil Corbould, Loader : Amelie Duceppe, Sound Re-Recording Mixer : Doug Hemphill, Sound Recordist : Dennis Rogers, Music Editor : Bob Beher, Casting Assistant : Bryan Riley, Techno Crane Operator : Richard Boucher, Dolly Grip : Alain Masse, Post Production Supervisor : Jeffrey Harlacker, Chief Lighting Technician : Jean Courteaunat�rlich, jetzt k�nnen Sie beobachten film von
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Schlagw�rter: saving the world, library, cataclysm, climate change, greenhouse effect, tornado, twister, hurricane, hail, temperature drop, ice age, polar zone, meteorology, gulfstream, barrier ice, ice melting, third world, exodus, evacuation, climate, government, snow, los angeles, scientist, doomsday, antarctic, disaster movie,